“Along the Southern portion of the I-5 freeway in California appears a yellow sign depicting the silhouette of a man, woman, and female child in flight, captioned with text in black stating “Caution.” In the United States, the sign’s clear reference is to “illegal migration,” and serves as a meme for longstanding debates about immigration to the United States. But the sign has a different association in Europe, where the identical image of running man, woman and child has been popularly paired with the text “Welcome Refugees.” The sign’s history, and its afterlife as a symbol of bodies moving across nation-state borders reveals unpredictable resignification, and starkly diverging understandings of human flight.”
Date: Monday 16 September 2019
Time: 5.00 pm
Place: Konstnärsnämnden, Iaspis Studio 6
Address: Maria skolgata 83, Stockholm
Welcome to a conversation between artist and Iaspis grantholder Pedro Oliveira and anthropologist ShahramKhosravi on the culture of disbelief created in and by the asylum seeking process. In this process, bodies are turned into data to be read or into evidence to be used in evaluation of the deservingness of the asylum seeker. In an environment of scepticism, immigration authorities aim to discredit asylum claims rather than to establish their substance; this can take many forms, amongst them measuring and translation of body, matter, voice, and accent. Through performance and dialogue Pedro Oliveira and Shahram Khosravi will intervene on the different temporalities present in this process, transposing it back onto the domain of listening and speaking.
The Decolonizing Architecture Advanced Course in collaboration with Critical Border Studies invite you to the public event:
The struggle of decolonization once primarily located outside of Europe, today has moved within its borders. What the media continue to call “refugee crisis”, “environmental crisis”, “economic crisis” are, in reality, the incapacity of Europe to come to terms to the condition of five hundred years of colonialism.
This public event is divided in three parts: a public seminar that introduces decolonial options and their relevance in the European context, followed by a public lecture by the renown philosopher Walter D. Mignolo who has been in last 40 years researching and teaching the historical foundation of the modern/colonial world system and imaginary and to conclude with an open discussion on decolonial artistic practices by using as a starting point, Sandi Hilal and Alessandro Petti´s latest book Permanent Temporariness, a collection of research projects developed in over a decade of work within the artistic collective DAAR (Decolonizing Architecture Art Residency).
Date: Thursday 7 March 2019
Time: 5.30 pm
Place: The Swedish Arts Grants Committee, The Project Room
Address: Maria skolgata 83, Stockholm, Sweden
The Design Politics of the Passport: Materiality, Immobility, and Dissent is a recently published book by design scholar Mahmoud Keshavarz. It’s an innovative study of the passport and its associated social, political and material practices as a means of uncovering the workings of ‘design politics’. It traces the histories, technologies, power relations and contestations around this small but powerful artefact to establish a framework for understanding how design is always enmeshed in the political, and how politics can be understood in terms of material objects.
Combining design studies with critical border studies, alongside ethnographic work among undocumented migrants, border transgressors and passport forgers, this book shows how a world made and designed as open and hospitable to some is strictly enclosed, confined and demarcated for many others – and how those affected by such injustices dissent from the immobilities imposed on them through the same capacity of design and artifice.
Venue: Ihresalen, Uppsala University, Engelska parken, Thunbergsvägen 3
“What if photographs depict what should not have been?” –Jacqueline Goldsby
I have been inconsistent in my relationship with and treatment of moving and still photographic images that depict what should not have been. In this lecture I will first briefly describe two projects in which visual documentation of premature violent death played a central role in the effort to organize evidence for political persuasion. Then, after showing the fragility of the projects’ underlying assumptions, I will explore social features and uses that shaped and shadowed the democratization of photographic image-making. Finally I will offer the outlines of a counter-narrative to highlight how we might usefully consider the co-constitutive interdependencies of consciousness, historical geography, and the machine, in the process of materializing objects that inspire subjects in struggle.
PARSE research trajectory on Art & Migration based at the University of Gothenburg calls for contributions that inquire into the embodied, affective, performative, material, visual, and spatial politics of cross-border human mobilities, through arts/crafts/design as well as other disciplines and practices. It concerns all the actors involved in these mobilities: the remarkable proliferation over recent years of heterogeneous human migration formations, including labour migrants and people seeking asylum, the border enforcement infrastructures that arise in response to these mobilities, as well as how these infrastructures incorporate market-based/migration industry actors.
We are interested in works that seek to apprehend or interrogate these complex alliances, antagonisms, and complicities, analysing or interpreting conditions where (nation-)states’ official infrastructures for border control coexist with migration industry infrastructures for border-crossing and market-based enterprises for border enforcement. These include border control through proliferating physical barricades, militarised policing, multilateral border cooperation, detention camps, deportation dragnets, and new strategies of surveillance; both formal and informal migration industry infrastructures (e.g. the outsourcing of migration visa processing, labour migrant recruitment agencies, remittance services, the rise of transit spaces along migration corridors, forged passport markets, migrant smuggling, amongst others); and private security contractors for offshore detention centres. Continue reading Open Call: “Art & Migration. Re-Making the World: Human Mobility, Border Violence, and Security Markets”
Date: 17 September 2018. 15.00-17.00
Venue: Spelbomskan. Aula Magna, Stockholm University
With Minimal Force
Adania Shibli (Writer/Birzeit University)
In light of the political, economic, spatial, and social realms in Palestine/Israel, many art works that were created over the last two decade, had been shaped by colonial and power techniques implemented by the Israeli authorities and military. Such techniques are in particular targeting the movement of Palestinians, and introduced either as daily routine or collective punishment. This seminar will bring discuss examples from the field of art, and how visual art works and even literary texts do interact with such techniques and subvert the very relations they generate by redefining individuals’ positions.
Privilege, Space and Art at the US-Mexico Border
Markus Heide (Uppsala University)
I will introduce sites at the US-Mexico borderline that provide space for the performance of activities of social privilege, such as tourism, international trade, sports, and the arts. These places, in their distinct ways, create an atmosphere of being removed from the immediate perils and evils of the borderlands: illegal trade and undocumented immigration. At the same time the three places are shaped by the militarization of the U.S.’ Southern border since the 1990s and the post-9/11 security regime: The closed and guarded fence and border patrol agents are visible and mark the places as part of the border blockade. Although the three distinct places contribute to cross-border contacts and exchange, they, as well as their use by border people and visitors, contribute to bordering practices and to normalizing the militarized border. How are forms of mobility constructed in the borderlands? What kind of mobilities are welcome by the border regimes? What kind of hierarchies of mobility do the controlled borderlands create?
In a world with an increasing asymmetrical access to freedom of movement in particular and to unequal access to labour, health care and education in general, those who find themselves in vulnerable conditions, rely on irregular services of accessing these rights. Whether for those migrants and refugees whose possibilities to claim asylum and residence have been drastically shrunk since early 1990s, or for border porters who carry heavy package of goods on their back across borders to earn an income, smuggling has been a social, political and economic endeavour that grows alongside the state and its border politics. Continue reading Symposium: Seeing Like a Smuggler