Critical Border Studies i samarbete med MINT och ABF Stockholm organizes: Creative Writing workshops in Persian for asylum seekers and undocumented migrants.
Date and Venue: November 21, 2019 10:00 – 12:00
Department of Sociology of Law – Lund University
Hus M, Room M 331
“Along the Southern portion of the I-5 freeway in California appears a yellow sign depicting the silhouette of a man, woman, and female child in flight, captioned with text in black stating “Caution.” In the United States, the sign’s clear reference is to “illegal migration,” and serves as a meme for longstanding debates about immigration to the United States. But the sign has a different association in Europe, where the identical image of running man, woman and child has been popularly paired with the text “Welcome Refugees.” The sign’s history, and its afterlife as a symbol of bodies moving across nation-state borders reveals unpredictable resignification, and starkly diverging understandings of human flight.”
Leti Volpp is Robert D. and Leslie Kay Raven Professor of Law in Access to Justice at Berkeley Law, University if California. She researches immigration and citizenship law with a particular focus on how law is shaped by ideas about culture and identity. Her latest book (co-edited with Marianne Constable and Bryan Wagner), is Looking for Law in all the Wrong Places, Justice Beyond and Between, Fordham University Press (2019). Continue reading Refugees Welcome? A Seminar with Prof. Leti Volpp
Date: Saturday 5 October 2019
Time: 2.30 – 4.30 pm.
Bio Rio, Stockholm
Welcome to a roundtable after the screening of the documentary film Fanon Yesterday, Today with Rahel Weldeab Sebahtu (Malmö University), Amin Parsa (Lund University), and the director Hassane Mezine.
Buy tickets for the film here.
The roundtable is organized by Critical Border Studies and Cinemafrica.
Date: Monday 16 September 2019
Time: 5.00 pm
Place: Konstnärsnämnden, Iaspis Studio 6
Address: Maria skolgata 83, Stockholm
Welcome to a conversation between artist and Iaspis grantholder Pedro Oliveira and anthropologist Shahram Khosravi on the culture of disbelief created in and by the asylum seeking process. In this process, bodies are turned into data to be read or into evidence to be used in evaluation of the deservingness of the asylum seeker. In an environment of scepticism, immigration authorities aim to discredit asylum claims rather than to establish their substance; this can take many forms, amongst them measuring and translation of body, matter, voice, and accent. Through performance and dialogue Pedro Oliveira and Shahram Khosravi will intervene on the different temporalities present in this process, transposing it back onto the domain of listening and speaking.
Critical Border Studies workshop for Ph.D students with Bridget Anderson on Methodological De-nationalism
The Decolonizing Architecture Advanced Course in collaboration with Critical Border Studies invite you to the public event:
The struggle of decolonization once primarily located outside of Europe, today has moved within its borders. What the media continue to call “refugee crisis”, “environmental crisis”, “economic crisis” are, in reality, the incapacity of Europe to come to terms to the condition of five hundred years of colonialism.
This public event is divided in three parts: a public seminar that introduces decolonial options and their relevance in the European context, followed by a public lecture by the renown philosopher Walter D. Mignolo who has been in last 40 years researching and teaching the historical foundation of the modern/colonial world system and imaginary and to conclude with an open discussion on decolonial artistic practices by using as a starting point, Sandi Hilal and Alessandro Petti´s latest book Permanent Temporariness, a collection of research projects developed in over a decade of work within the artistic collective DAAR (Decolonizing Architecture Art Residency).
Upcoming Lectures By Professor Ranabir Samaddar
RETURNING TO THE HISTORIES OF IMMIGRATION OF THE LATE NINETEENTH AND EARLY TWENTIETH CENTURY
Date: 6 March 2019. 3.15 PM – 5.00 PM
Venue: Uppsala University, Engelska Parken, Room 2-0076.
(Co-organized by Uppsala Religion and Society Research Centre)
THE POSTCOLONIAL AGE OF MIGRATION
Date: 7 March 2019. 2.00 PM – 4.00 PM
Venue: Royal Institute of Art in Stockholm, Decolonizing Architecture studio (second floor)
(Co-organized by Royal Institute of Art)
Date: Thursday 7 March 2019
Time: 5.30 pm
Place: The Swedish Arts Grants Committee, The Project Room
Address: Maria skolgata 83, Stockholm, Sweden
The Design Politics of the Passport: Materiality, Immobility, and Dissent is a recently published book by design scholar Mahmoud Keshavarz. It’s an innovative study of the passport and its associated social, political and material practices as a means of uncovering the workings of ‘design politics’. It traces the histories, technologies, power relations and contestations around this small but powerful artefact to establish a framework for understanding how design is always enmeshed in the political, and how politics can be understood in terms of material objects.
Combining design studies with critical border studies, alongside ethnographic work among undocumented migrants, border transgressors and passport forgers, this book shows how a world made and designed as open and hospitable to some is strictly enclosed, confined and demarcated for many others – and how those affected by such injustices dissent from the immobilities imposed on them through the same capacity of design and artifice.
Date: 23 October 2018. 15.00-17.00
Venue: Ihresalen, Uppsala University, Engelska parken, Thunbergsvägen 3
“What if photographs depict what should not have been?” –Jacqueline Goldsby
I have been inconsistent in my relationship with and treatment of moving and still photographic images that depict what should not have been. In this lecture I will first briefly describe two projects in which visual documentation of premature violent death played a central role in the effort to organize evidence for political persuasion. Then, after showing the fragility of the projects’ underlying assumptions, I will explore social features and uses that shaped and shadowed the democratization of photographic image-making. Finally I will offer the outlines of a counter-narrative to highlight how we might usefully consider the co-constitutive interdependencies of consciousness, historical geography, and the machine, in the process of materializing objects that inspire subjects in struggle.