A Mother’s Body is an intimate portrayal of two women hotel cleaners from a daughter’s perspective. While the women perform their daily work, the daughter reflects on how their profession affects their bodies and relationship to time. Meanwhile, the women navigate and negotiate the demands of the strenuous labour with experience, preciseness, and beauty.
Thursday 25 November 4 pm
Accelerator’s café is open for mingle and refreshments. The film is approx. 8 min.
Jonelle Twum is a filmmaker, pedagogue, researcher and cultural producer who explores in her work conditions of visibility/invisibility, memory and history from a black feminist perspective. Twum is also the founder of Black Archives Sweden, a contemporary archive centered around the experiences and narratives of Afro-Swedes and Black people in Sweden.
Shahram Khosravi is a professor in Social Antrophology at Stockholm university.
My honor to be in an online conversation with Alie Ataee, a writer known as “The writer of borders”. She is one of the most interesting contemporary writes in Iran. The conversation will be in Persian. She has a chapter in a forthcoming book I co-edit: ‘Seeing Like a Smuggler’ (Pluto Press)
“Along the Southern portion of the I-5 freeway in California appears a yellow sign depicting the silhouette of a man, woman, and female child in flight, captioned with text in black stating “Caution.” In the United States, the sign’s clear reference is to “illegal migration,” and serves as a meme for longstanding debates about immigration to the United States. But the sign has a different association in Europe, where the identical image of running man, woman and child has been popularly paired with the text “Welcome Refugees.” The sign’s history, and its afterlife as a symbol of bodies moving across nation-state borders reveals unpredictable resignification, and starkly diverging understandings of human flight.”
Date: Monday 16 September 2019
Time: 5.00 pm
Place: Konstnärsnämnden, Iaspis Studio 6
Address: Maria skolgata 83, Stockholm
Welcome to a conversation between artist and Iaspis grantholder Pedro Oliveira and anthropologist ShahramKhosravi on the culture of disbelief created in and by the asylum seeking process. In this process, bodies are turned into data to be read or into evidence to be used in evaluation of the deservingness of the asylum seeker. In an environment of scepticism, immigration authorities aim to discredit asylum claims rather than to establish their substance; this can take many forms, amongst them measuring and translation of body, matter, voice, and accent. Through performance and dialogue Pedro Oliveira and Shahram Khosravi will intervene on the different temporalities present in this process, transposing it back onto the domain of listening and speaking.
The Decolonizing Architecture Advanced Course in collaboration with Critical Border Studies invite you to the public event:
The struggle of decolonization once primarily located outside of Europe, today has moved within its borders. What the media continue to call “refugee crisis”, “environmental crisis”, “economic crisis” are, in reality, the incapacity of Europe to come to terms to the condition of five hundred years of colonialism.
This public event is divided in three parts: a public seminar that introduces decolonial options and their relevance in the European context, followed by a public lecture by the renown philosopher Walter D. Mignolo who has been in last 40 years researching and teaching the historical foundation of the modern/colonial world system and imaginary and to conclude with an open discussion on decolonial artistic practices by using as a starting point, Sandi Hilal and Alessandro Petti´s latest book Permanent Temporariness, a collection of research projects developed in over a decade of work within the artistic collective DAAR (Decolonizing Architecture Art Residency).